"Klaus Oldanburg [tm]" from Diskono emailed some information about this May's event:
I'm organising a day of events for Le Weekend this year, same
as last year... We're doing 25th May and bringing Ticklish up
to play, along with GOEM, also will feature a bar installation
from Barcelona's Evol.
...Also muted to be playing at LE Weekend are Peter
Brotzmann, Chicago Underground Trio, Acid Mothers Temple
featuring Julian Cope and a full scale theatre production of David
Thomas's "Mirror Man".
Best
Klaus Oldanburg
Since then, the programme has changed and become clearer. Here are links to the main Le Weekend programme and to the details of the Diskono night.
Artists
GOEM = Minimal techno from The Netherlands.
Entirely made with a device called, Student Stimulator. This was found in a thrift store, and it s use is to give rhythmical pulses, to coordinate a steady response. The machine is used by Goem to create a wide tapestry of beats, which are triggered by synths and efx.
Equipment used:Student Stimulator, Korg MS 20, Roland SH 21 Boss SE 50, ART
TICKLISH
Micro-Macro. Electronic music that's non-idiomatic and falls between the grooves. Ticklish features London improvisers Kev Hopper (Stereolab, High Llamas, works with Charles Hayward), Richard Sanderson (Chris Burn Ensemble) and Phil Durrant (works with John Butcher, John Russell, Thomas Lehn, Radu Malfatti, MIMEO)) and the video artist Rob Flint. Their music fills up a vacancy. They bring the best models of danceable and cool electronic music into a free pulse. And what's more, they do the reversal: from the abstract heights of the improv scene in England Ticklish push forward to the clicks & cuts of post-techno. Their music is groove without the dictate of the beat, cool without setting on the foreground of a hook. Improvisation without plinky-plonky.